Pia Miranda faces off with Anthony LaPaglia in Looking for Alibrandi.
A film adaptation was released in 2000, but sadly retained none of the novel's nuance and careful characterization. Ironically, the screenplay was penned by Marchetti herself, and she even won an Australian Film Institue award for her work. (The film received a slew of other awards as well.) Yet, the film makes the fatal (rookie?) mistake of turning the book’s first-person narrative into a voiceover, clumsily hammering home what could have been expressed through the performances. I blanched as the protagonist-narrator started announcing lines such as ("This might be where I come from but do I really belong here?" "I have go to get out of here.") not two minutes into the film.
Pia Miranda, perfecting the teenage eye roll.
Matthew Newton as John Barton, a well-to-do politician's son.
Kick Gurry as Jacob Coote, the working-class school president.
But I had a bigger issue with the casting of Kick Gurry and Matthew Newton as Jacob Coote and John Barton, respectively. As polar opposites who are both drawn to Josie, the two boys play crucial roles in the story. I expect I was not the only person who was left disappointed when the two made their appearance. This isn't an escapist teen comedy, like say, Angus, Thongs, and Perfect Snogging, in which the 15-year-old protagonist snags a teenaged Aaron Johnson (Nowhere Boy, Kick-Ass) in the end. But as the romantic interest (Gurry) and the untouchable good guy (Newton), it would make sense for the charactes to be physically appealing. What kind of eye candy is this?
Matthew Newton as John Barton.
Kick Gurry as Jacob Coote.
My desire to dissect the film more or less fizzled after I got wind of these two. I could have forgiven the annoying voiceover and clumsy story development, but without aesthetic pleasure, the redeeming factor, there was just too little to go on.
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