Tautou dancing with Alessandro Nivola, who plays her lover Arthur Capel.
A rare biopic that doesn't let the narrative zig and zag by tracing its subject's highs and lows, much of the film finds pre-fame, pre-designer Chanel staying at the estate of her patron Etienne de Balsan (Benoît Poelvoorde), who literally makes her sing for her supper. Slowly, she acquaints herself with high society life. With her keen eye, she studies the lifestyles and fashion of the privileged, observing their lavish gatherings and the various accouterments that materialize with each excuse to party. Intuiting that the fussy and constricting styles of the time needed to be shaken up, she gradually cuts a path for herself in the fashion world with her straw hats and stark, austere outfits. To see her dancing in a corset-free black dress amid a sea of white lace, feathers, and frou-frou flowers is to fully understand just how groundbreaking her style was. The act of observing and learning, then, becomes a gateway to her success, and modern style as we know it.
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